Interview with
ROSEMARY H. WILLIAMS
SPRING ISSUE #08 PHOTOGRAPHER
Rosemary H. Williams, a retired paralegal, is an emerging photographer living in Hixson, Tennessee. She is curious about the world around her and immerses herself in her surroundings in search of the seen, the unseen, the commonplace, and the unusual as subjects for her photography. She searches for these details and in doing so is able to share with others the world through her eyes. Her photographs have appeared in several Black and White Magazine special issues, Humana Obscura, and two books published by LensWork Magazine: Trilogies (2022) and Light, Glorious Light (2023).
Connect with her on Instagram @rosemaryhwilliams.
“Abandoned & Forgotten”
“Emerald Waters”
What initially drew you to the world of photography, and how did you begin your journey as a photographer?
I received my first camera when I was a child. Other cameras followed, but in 2008 I bought my first digital camera and the real journey began.
How do you typically find inspiration for your photography, and are there any recurring themes or motifs in your photographs?
I am a generalist photographer who believes that subject matter is all around us. I gravitate toward small scenes and details more than grand landscapes.
Can you discuss any significant influences or photographers who have inspired your own practice?
Photographer Paul Hassell taught me how to see during workshops in the nearby Smoky Mountains where I learned there is more to see than what we see. Inspiration subsequently came from the philosophy, works, and writings of photographers Guy Tal and Sarah Marino.
Can you share a particularly memorable experience or moment in your photographic career that has impacted your perspective or trajectory?
Step back to 2011, seeing the shadow of a tiny mushroom on a log and starting a journey to seek the details around me. Fast forward to 2023, photographing patterns on the beach created by runoff from the rain and a couple stopping to ask what I was photographing. I showed them some “trees” in the sand, and soon, with phone in hand, they began finding and photographing their own “trees.” I experienced great joy that day knowing I helped them see those details.
Can you share any advice for emerging photographers who are just beginning their photographic journey?
Stay true to yourself. Don’t let the opinions of others ruin your vision or hinder your creativity. Photograph what you love, not just for the “likes and comments.” Invest in a good tripod.
What’s next for you? Any upcoming exhibitions, projects, or goals you have?
In March, I start a watercolor painting class 55 years after my first class. In April, I will fulfill a longstanding dream when I photograph wild horses for a week in Utah. Retirement will be fun!